![]() ![]() Stereo MIC/LINE Input ChannelsThe stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.Īll potentiometers and faders are high-quality components from ALPS. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.Įach channel offers a Signal Present and Peak LED for level control. In all, 6 AUX busses are available:Ģ (FX) are assiged to the two effects sends Ģ (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section Ģ (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. With its extended buss structure, the PowerMate-3 offers very flexible configuration options. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. The Gain can be controlled in the range 0-60 dB. The Line Input and Channel Insert are implemented as jack sockets. The +48V phantom power for condenser microphones can be switched in groups of six. ![]() ![]() MIC/LINE Input ChannelsThe XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. ![]()
0 Comments
Leave a Reply. |